Hitchcock Annual: Volume 16
 | |
| Sidney Gottlieb & Richard Allen | |
| Columbia University Press | |
| ISBN 0231156499 (paperback) | |
| ISSN 1062-5518 (journal) | |
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Summary
This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses of Rear Window and Gus Van Sant's shot-by-shot remake of Psycho, a dossier of To Catch a Thief, and an early essay by Hitchcock himself.
Contents
- Hitchcock in 1928: The Auteur as Autocrat — Sidney Gottlieb
- An Autocrat of the Film Studio — Alfred Hitchcock
- A Perfect Place to Die? The Theater in Hitchcock — Michael Walker
- Reflections on the Making of To Catch a Thief — James M. Vest
- What We Don't See, and What We Think it Means: Ellipsis and Occlusion in Rear Window — James MacDowell
- The Destruction That Wasteth at Noonday: Hitchcock's Atheology — David Sterritt
- Gus Van Sant's Mirror-Image of Hitchcock: Reading Psycho Backwards — Graig Uhlin
- Hitchcock, Unreliable Narration, and the Stalker Film — Malcolm Turvey
