Hitchcock Annual

current editors	Sidney Gottlieb
	Richard Allen
publisher	Columbia University Press

The Hitchcock Annual is a semi-regular journal established by Christopher Brookhouse in the early 1990s, with the initial support of Lesley Brill, Leonard J. Leff, Leland Poague, Kristin Thompson and Margaret O'Connor.

Since volume 10, Sidney Gottlieb and Richard Allen have edited the journal. Gottlieb has also been responsible for setting out the Hitchcock Annual, which is published by Columbia University Press, since 1993.

Other members of the editorial and advisory board have included Diane Carson, Charles L.P. Silet, Charles Barr, Thomas M. Leitch, James Naremore, Paula Marantz Cohen, David Sterritt and Michael Walker.

Individual Volumes

• Hitchcock Annual: Volume 1 (1992)
• Hitchcock Annual: Volume 2 (1993)
• Hitchcock Annual: Volume 3 (1994)
• Hitchcock Annual: Volume 4 (1995)
• Hitchcock Annual: Volume 5 (1996)
• Hitchcock Annual: Volume 6 (1997)
• Hitchcock Annual: Volume 7 (1998)
• Hitchcock Annual: Volume 8 (1999)
• Hitchcock Annual: Volume 9 (2000-01)
• Hitchcock Annual: Volume 10 (2001-02)
• Hitchcock Annual: Volume 11 (2002-03)
• Hitchcock Annual: Volume 12 (2003-04)
• Hitchcock Annual: Volume 13 (2004-05)
• Hitchcock Annual: Volume 14 (2005-06)
• Hitchcock Annual: Volume 15 (2006-07)
• Hitchcock Annual: Volume 16 (2010)
• Hitchcock Annual: Volume 17 (2011)
• Hitchcock Annual: Volume 18 (2013)
• Hitchcock Annual: Volume 19 (2014)

Hitchcock Annual Collections

Two collections of articles from the journal have been published:

• Framing Hitchcock: Selected Essays from the Hitchcock Annual (2002) edited by Sidney Gottlieb & Christopher Brookhouse72822
• The Hitchcock Annual Anthology: Selected Essays from Volumes 10-15 (2009) edited by Sidney Gottlieb & Richard Allen77425

Image Gallery

Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images)...

List of Articles

• Hitchcock Annual (1992) - Alfred Hitchcock and the Making of Psycho
• Hitchcock Annual (1992) - Echo and Narcissus: Women's Voices in Classical Hollywood Cinema
• Hitchcock Annual (1992) - Graphics, Letters, and Hitchcock's "Steps"
• Hitchcock Annual (1992) - Hitchcock's The Lodger: A Theory
• Hitchcock Annual (1992) - Kissing and Telling in Hitchcock's Easy Virtue
• Hitchcock Annual (1992) - The Diabolic Imagination: Hitchcock, Bakhtin, and the Carnivalization of Cinema
• Hitchcock Annual (1992) - Vertigo's Three Towers
• Hitchcock Annual (1992) - Visual Pleasures, Narrative Contracts: Taking Hitchcock Ludicly?
• Hitchcock Annual (1993) - Alfred Hitchcock's Easy Virtue (1927): A Descriptive Shot List
• Hitchcock Annual (1993) - City Boys: Cagney, Bogart, Garfield
• Hitchcock Annual (1993) - Delusions and dreams in Hitchcock's Vertigo
• Hitchcock Annual (1993) - Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies
• Hitchcock Annual (1993) - Hitchcock in Hollywood / Everything You Always Wanted to Know about Lacan
• Hitchcock Annual (1993) - Hitchcock the feminist: Rereading Shadow of a Doubt
• Hitchcock Annual (1993) - Hitchcock's Rereleased Films: From Rope to Vertigo
• Hitchcock Annual (1993) - Hitchcock: The Making of a Reputation
• Hitchcock Annual (1993) - Male Subjectivity at the Margins
• Hitchcock Annual (1993) - Master Space: Film Images of Capra, Lubitsch, Sternberg, and Wyler
• Hitchcock Annual (1993) - Soul in Suspense / Hitchcock and Homosexuality
• Hitchcock Annual (1993) - Strains of Utopia / Settling the Score
• Hitchcock Annual (1993) - The unspeakable crime in Hitchcock's Rear Window: Hero as lay detective, spectator as lay analyst
• Hitchcock Annual (1994) - Alfred Hitchcock's Number Seventeen (1932): A descriptive shot list
• Hitchcock Annual (1994) - Engendering Vertigo
• Hitchcock Annual (1994) - Hitchcock's Wartime Work
• Hitchcock Annual (1994) - Mother Knows Best: The Voices of Mrs. Bates in Psycho
• Hitchcock Annual (1994) - Rear Window, or the reciprocated glance
• Hitchcock Annual (1994) - Screening the Male: Exploring Masculinities in Hollywood Cinema
• Hitchcock Annual (1994) - The Branded Eye: Buñuel's Un Chien andalou
• Hitchcock Annual (1994) - The Films of Alfred Hitchcock
• Hitchcock Annual (1995) - "A hero for our times": Foreign Correspondent, Hero, and The Bonfire of the Vanities
• Hitchcock Annual (1995) - Alfred Hitchcock's The Manxman (1929): A Descriptive Shot List
• Hitchcock Annual (1995) - Alfred Hitchcock, director
• Hitchcock Annual (1995) - Antonioni: The Poet of Images
• Hitchcock Annual (1995) - Comments on "Alfred Hitchcock's Easy Virtue (1927): A Descriptive Shot List"
• Hitchcock Annual (1995) - Fetishism as Cultural Discourse
• Hitchcock Annual (1995) - Hitchcock on Hitchcock: Selected Writings and Interviews
• Hitchcock Annual (1995) - Hitchcockian haberdashery
• Hitchcock Annual (1995) - Multiple Voices in Feminist Film Criticism
• Hitchcock Annual (1995) - Perspectives on Alfred Hitchcock
• Hitchcock Annual (1995) - Psycho: Behind the Scenes of the Classic Thriller
• Hitchcock Annual (1995) - Radical Visions: American Film Renaissance, 1967-1976
• Hitchcock Annual (1995) - Shades of Noir
• Hitchcock Annual (1995) - Songs of Love and Death: The Classical American Horror Film of the 1930s
• Hitchcock Annual (1995) - The myth of apocalypse and the horror film: the primacy of Psycho and The Birds
• Hitchcock Annual (1995) - Writing for Hitch: An interview with Evan Hunter
• Hitchcock Annual (1996) - "Artifice that deepens and humanizes": an interview with Donald Spoto
• Hitchcock Annual (1996) - Alfred Hitchcock's The Lodger, a Story of the London Fog (1926): a descriptive shot list
• Hitchcock Annual (1996) - Feminism, deconstruction, and the pursuit of the tenable in Vertigo
• Hitchcock Annual (1996) - The Misogynist at Rest: Women in Hitchcock's Lifeboat
• Hitchcock Annual (1996) - The unknown Hitchcock: Watchtower over Tomorrow
• Hitchcock Annual (1997) - Alfred Hitchcock: registrar of births and deaths
• Hitchcock Annual (1997) - Avian metaphors in The Birds
• Hitchcock Annual (1997) - Echoes of Alfred Hitchcock's Vertigo, The Birds, and Frenzy in Francois Truffaut's Story of Adèle H.
• Hitchcock Annual (1997) - Hitchcock and the art of the kiss: a preliminary survey
• Hitchcock Annual (1997) - Into the archives: some thoughts on Hitchcock, the Truffaut interview, and radio
• Hitchcock Annual (1997) - The concept of shame in the films of Alfred Hitchcock
• Hitchcock Annual (1997) - The Hitchcock moment
• Hitchcock Annual (1997) - Theatricality and the comedy of the mutual gaze in Hitchcock's Cary Grant films
• Hitchcock Annual (1997) - Vertigo: the nomenclature of despair
• Hitchcock Annual (1998) - "Alfred Hitchcock" by Serge Kaganski
• Hitchcock Annual (1998) - "Hitch and Me" by Evan Hunter
• Hitchcock Annual (1998) - "Hitchcock's Bi-Textuality: Lacan, Feminisms, and Queer Theory" by Robert Samuels
• Hitchcock Annual (1998) - "The Art of Looking in Hitchcock's 'Rear Window'" by Stefan Sharff
• Hitchcock Annual (1998) - Easy Virtue's frames
• Hitchcock Annual (1998) - Hitchcock's "The Mountain Eagle"
• Hitchcock Annual (1998) - The Controller Controlled: Hitchcock's Cameo in "Torn Curtain"
• Hitchcock Annual (1999) - "Marnie": A Site/Sight for the Convergence of Gazes
• Hitchcock Annual (1999) - "See It from the Beginning": Hitchcock's Reconstruction of Film History
• Hitchcock Annual (1999) - Alfred Hitchcock
• Hitchcock Annual (1999) - Alfred Hitchcock's cameo in Vertigo
• Hitchcock Annual (1999) - Defending "Marnie" -- and Hitchcock
• Hitchcock Annual (1999) - Early Hitchcock: The German Influence
• Hitchcock Annual (1999) - Hitch & Alma
• Hitchcock Annual (1999) - Hitchcock's "Marnie": Dreams, Surrealism, and the Sublime
• Hitchcock Annual (1999) - Hitchcock's Bi-Textuality: Lacan, Feminisms, and Queer Theory
• Hitchcock Annual (1999) - Hitchcock's Notebooks: An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock
• Hitchcock Annual (1999) - Of Flashbacks and Femmes Fatales: Review Essay
• Hitchcock Annual (1999) - Portrait of an Artist: Hitchcock's "Vertigo"
• Hitchcock Annual (1999) - Remaking: "Psycho"
• Hitchcock Annual (1999) - Reviews: "Hitchcock's America"
• Hitchcock Annual (1999) - Reviews: "The Birds"
• Hitchcock Annual (1999) - The Alfred Hitchcock Triviography and Quiz Book
• Hitchcock Annual (1999) - The Art of Looking in Hitchcock's Rear Window
• Hitchcock Annual (2000) - "Revenge": Alfred Hitchcock's "Sweet Little Story"
• Hitchcock Annual (2000) - A Marvelously Dramatic Subject: Hitchcock's "Titanic" Project
• Hitchcock Annual (2000) - Alfred Hitchcock's Role in "Elstree Calling"
• Hitchcock Annual (2000) - An Interview with Jay Presson Allen
• Hitchcock Annual (2000) - Bibliography of Scholarship Linking Alfred Hitchcock and Edgar Allan Poe
• Hitchcock Annual (2000) - Brief Notices: "Hitchcock and Selznick"
• Hitchcock Annual (2000) - Brief Notices: "Hitchcock Poster Art"
• Hitchcock Annual (2000) - Brief Notices: "The Alfred Hitchcock Story"
• Hitchcock Annual (2000) - Brief Notices: "The Complete Hitchcock"
• Hitchcock Annual (2000) - Brief Notices: "The Last Days of Alfred Hitchcock"
• Hitchcock Annual (2000) - Brief Notices: "Three Spotlights on Hitch"
• Hitchcock Annual (2000) - German Hitchcock
• Hitchcock Annual (2000) - Hitchcock's Emersonian Edges
• Hitchcock Annual (2000) - Hitchcock's Hands
• Hitchcock Annual (2000) - Reviews: "Alfred Hitchcock: Centenary Essays"
• Hitchcock Annual (2000) - Reviews: "Hitchcock at Work"
• Hitchcock Annual (2000) - Two Bits for Hitch: Small Performance and Gross Structure in "The Man Who Knew Too Much" (1956)
• Hitchcock Annual (2001) - "The Lodger" and the Origins of Hitchcock's Aesthetic
• Hitchcock Annual (2001) - Book Reviews: "Hitchcock and Art: Fatal Coincidences"
• Hitchcock Annual (2001) - Book Reviews: "Hitchcock: Suspense, Humour and Tone"
• Hitchcock Annual (2001) - Book Reviews: "The Alfred Hitchcock Presents Companion"
• Hitchcock Annual (2001) - Book Reviews: "The Hitchcock Murders"
• Hitchcock Annual (2001) - Book Reviews: "Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes"
• Hitchcock Annual (2001) - Gus Van Sant vs. Alfred Hitchcock: A "Psycho" Dossier: "Psycho" (Redux)
• Hitchcock Annual (2001) - Gus Van Sant vs. Alfred Hitchcock: A "Psycho" Dossier: An Analysis of the Parlor Scene in "Psycho" x 2
• Hitchcock Annual (2001) - Gus Van Sant vs. Alfred Hitchcock: A "Psycho" Dossier: Shot-By-Shot Follies
• Hitchcock Annual (2001) - Gus Van Sant vs. Alfred Hitchcock: A "Psycho" Dossier: The Artist Pays Homage
• Hitchcock Annual (2001) - Gus Van Sant vs. Alfred Hitchcock: A "Psycho" Dossier: Van Sant the Provoca(u)teur
• Hitchcock Annual (2001) - She's Too Everything: Marriage and Masquerade in "Rear Window" and "To Catch a Thief"
• Hitchcock Annual (2001) - The Emergence of an Auteur: Hitchcock and French Film Criticism, 1950-1954
• Hitchcock Annual (2001) - Working with Hitch: A Screenwriter's Forum with Evan Hunter, Arthur Laurents, and Joseph Stefano
• Hitchcock Annual (2002) - "Marnie," the Dead Mother, and the Phantom
• Hitchcock Annual (2002) - Ambivalence ("Suspicion")
• Hitchcock Annual (2002) - Book Reviews: "Bernard Herrmann's Vertigo"
• Hitchcock Annual (2002) - Book Reviews: "English Hitchcock"
• Hitchcock Annual (2002) - Book Reviews: "Footsteps in the Fog: Alfred Hitchcock's San Francisco"
• Hitchcock Annual (2002) - Book Reviews: "Hitchcock and the Making of 'Marnie'"
• Hitchcock Annual (2002) - Book Reviews: "Hitchcock's Rear Window: The Well-Made Film"
• Hitchcock Annual (2002) - Book Reviews: "The 39 Steps"
• Hitchcock Annual (2002) - Book Reviews: "The Encyclopedia of Alfred Hitchcock: From 'Alfred Hitchcock Presents' to 'Vertigo'"
• Hitchcock Annual (2002) - Book Reviews: "Vertigo"
• Hitchcock Annual (2002) - Hitchcock After Bellour
• Hitchcock Annual (2002) - Hitchcock Dreams of America
• Hitchcock Annual (2002) - Hitchcock, Bergman, and the Divided Self
• Hitchcock Annual (2002) - Logical Dream/Illogical Space: Set Design as Narration in a Key Sequence in "Vertigo"
• Hitchcock Annual (2002) - The Villain in Hitchcock
• Hitchcock Annual (2002) - Working with Hitchcock: A Collaborators' Forum with Patricia Hitchcock, Janet Leigh, Teresa Wright, and Eva Marie Saint
• Hitchcock Annual (2003) - "Rear Window": The Redemptive Power of Popular Music
• Hitchcock Annual (2003) - "Under Capricorn" Revisited
• Hitchcock Annual (2003) - "Vertigo": The Drama of a Deceived Platonist
• Hitchcock Annual (2003) - Book Reviews: "A Long Hard Look at 'Psycho'"
• Hitchcock Annual (2003) - Book Reviews: "Alfred Hitchcock: Der Meister der Angst"; "Alfred Hitchcock"
• Hitchcock Annual (2003) - Book Reviews: "Alfred Hitchcock: Interviews"
• Hitchcock Annual (2003) - Book Reviews: "Alma Hitchcock: The Woman Behind the Man"
• Hitchcock Annual (2003) - Book Reviews: "Hitchcock and Poe: The Legacy of Delight and Terror"
• Hitchcock Annual (2003) - Book Reviews: "The Hanging Figure: On Suspense and the Films of Alfred Hitchcock"
• Hitchcock Annual (2003) - Book Reviews: "When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence"
• Hitchcock Annual (2003) - Hitchcock and the Found Footage Installation: Müller and Girardet's "The Phoenix Tapes"
• Hitchcock Annual (2003) - McGilligan's Hitchcock and the Limits of Biography
• Hitchcock Annual (2003) - Too Big and Too Close: Alfred Hitchcock and Fritz Lang
• Hitchcock Annual (2004) - "Topaz" and Cold War Politics
• Hitchcock Annual (2004) - Alfred Hitchcock's Carnival
• Hitchcock Annual (2004) - Book Reviews: "Alfred Hitchcock's 'Psycho': A Casebook"
• Hitchcock Annual (2004) - Book Reviews: "Three Philosophical Filmmakers: Hitchcock, Welles, Renoir"
• Hitchcock Annual (2004) - Deserter or Honored Exile?: Views of Hitchcock from Wartime Britain
• Hitchcock Annual (2004) - Hitchcock and Fascism
• Hitchcock Annual (2004) - Hitchcock and France: The Forging of an Auteur
• Hitchcock Annual (2004) - Metamorphoses of "Downhill": From Stage Play to Cinematic Treatment and Film
• Hitchcock Annual (2004) - Sir John and the Half-Caste: Identity and Representation in Hitchcock's "Murder!"
• Hitchcock Annual (2005) - "A Hitchcock Compendium": Narrative Strategies in "Torn Curtain"
• Hitchcock Annual (2005) - A Columbus of the Screen
• Hitchcock Annual (2005) - Figuring Hitchcock
• Hitchcock Annual (2005) - Hitchcock and Company
• Hitchcock Annual (2005) - Hitchcock in Pieces
• Hitchcock Annual (2005) - Hitchcock on DVD: The Universal Titles
• Hitchcock Annual (2005) - Hitchcock on Griffith
• Hitchcock Annual (2005) - Hong Kong "Rear Window": "Backyard Adventures" (1955)
• Hitchcock Annual (2005) - Reframing British Cinema 1918-1928: Between Restraint and Passion
• Hitchcock Annual (2005) - The Making of "Downhill" and Its Impact on Hitchcock's Reputation
• Hitchcock Annual (2006) - Cutting and Continuity
• Hitchcock Annual (2006) - Down and Round We Go: Recurrent Visual Patterns in Hitchcock's "Downhill"
• Hitchcock Annual (2006) - Hindi Hitchcock: India's "39 Steps"
• Hitchcock Annual (2006) - Hitchcock and Hindi Cinema
• Hitchcock Annual (2006) - Hitchcock Hates Actors
• Hitchcock Annual (2006) - Hitchcock Interviewed in "Filmindia"
• Hitchcock Annual (2006) - Hitchcockian Narrative: A Provisional Structural Model
• Hitchcock Annual (2006) - Matters of Proportion: "The Trouble with Harry"
• Hitchcock Annual (2006) - Seeing Hitchcock Whole
• Hitchcock Annual (2006) - Self-Possession and Dispossession in Hitchcock's "Marnie"
• Hitchcock Annual (2006) - The Early Career of Alma Reville
• Hitchcock Annual (2006) - To Catch a "Jewel Thief": Hitchcock and Indian Modernity
• Hitchcock Annual (2010) - A Perfect Place to Die? The Theater in Hitchcock
• Hitchcock Annual (2010) - An Autocrat of the Film Studio
• Hitchcock Annual (2010) - Gus Van Sant's Mirror-Image of Hitchcock: Reading Psycho Backwards
• Hitchcock Annual (2010) - Hitchcock in 1928: The Auteur as Autocrat
• Hitchcock Annual (2010) - Hitchcock, Unreliable Narration, and the Stalker Film
• Hitchcock Annual (2010) - Reflections on the Making of To Catch a Thief
• Hitchcock Annual (2010) - The Destruction That Wasteth at Noonday: Hitchcock's Atheology
• Hitchcock Annual (2010) - What We Don't See, and What We Think it Means: Ellipsis and Occlusion in Rear Window
• Hitchcock Annual (2011) - "Murder Can Be Fun": The Lost Music of Frenzy
• Hitchcock Annual (2011) - "The Knock of Disapproval": Juno and the Paycock and its Irish Reception
• Hitchcock Annual (2011) - Dial "M" for Museum: The Hitchcock of Contemporary Art
• Hitchcock Annual (2011) - Family Dramas in Hitchcock's Stage Fright
• Hitchcock Annual (2011) - Hitchcock Now
• Hitchcock Annual (2011) - Notorious: Hitchcock's Pivotal Film
• Hitchcock Annual (2011) - The Birds and the Kennedy Era
• Hitchcock Annual (2013) - Champagne (1928): The Nation's Favorite Meets the Critics' Choice
• Hitchcock Annual (2013) - Hitchcock and Documentary: Re-editing Men of the Lightship
• Hitchcock Annual (2013) - Hitchcock and the Wandering Woman: The Influence of Italian Art Cinema on The Birds
• Hitchcock Annual (2013) - Hitchcock's Newspaper: A "Thing in the Crowd"
• Hitchcock Annual (2013) - Intimate Violence: Marnie and Queer Resilience