Details
ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=POINT+OF+VIEW+AND+%22INTRAREALISM%22+IN+HITCHCOCK&rft.jtitle=Wide+Angle&rft.au=Sallitt%2C+Daniel&rft.date=1980-01-01&rft.issn=0160-6840&rft.volume=4&rft.issue=1&rft.spage=38&rft.externalDBID=n%2Fa&rft.externalDocID=053800240005
Links
Abstract
- "Discussion of point of view throughout the films. Salitt shows that point-of-view shots are not always used for the purpose of creating subjective psychological identification." — Sloan, page 444</ref>