Details
- article: Primal Scenes and the Female Gothic: Rebecca and Gaslight
- author(s): John Fletcher
- journal: Screen (1995)
- issue: volume 36, issue 4, pages 341-370
- DOI: 10.1093/screen/36.4.341
- journal ISSN: 0036-9543
- keywords: 1900-1999, Alfred Hitchcock, Andrew Britton, British Film Institute, Dame May Whitty, Daphne du Maurier, David O. Selznick, Dramatic arts, English literature, Film, Film adaptation, Gaslight, George Cukor, George Sanders, Gothicism, Ingrid Bergman, Joan Copjec, Joan Fontaine, Joseph Cotten, Lake Como, Italy, Laura Mulvey, Laurence Olivier, London, England, New York City, New York, Novel, Patrick Hamilton, Primal scene, Psychoanalytic approach, Raymond Bellour, Raymond Durgnat, Rebecca (1940), Stanley Cavell, Suspicion (1941), Tania Modleski, The Women Who Knew Too Much: Hitchcock and Feminist Theory (2005) by Tania Modleski, Thomas Elsaesser, Twentieth Century-Fox Film Corporation, Universal Studios, Vertigo (1958)
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