Literature Film Quarterly (1987) - Classical Cinema and The Spectator

Details

• article: Classical Cinema and The Spectator
• author(s): W.J.M. Hesling
• journal: Literature Film Quarterly (1987)
• issue: volume 15, issue 3, page 181
• journal ISSN: 0090-4260
• publisher: Salisbury University
• Sloan's Alfred Hitchcock: A Filmography and Bibliography (1995) — page 492, #821
• keywords: Alfred Hitchcock, André Bazin, François Truffaut, Joseph Conrad, Michael A. Anderegg, New York City, New York, Pauline Kael, Pierre Fresnay, Robert Morley, Sabotage (1936), Secret Agent (1936)

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Abstract

With these two new terms Benveniste is able to make a distinction between the act of producing a statement and the produced statement itself.\n On the other hand, the mirroring of these dramatic disruptions of the level of "énonciation" (for instance by manipulating the characters' point of view) seems to have a more direct impact on the spectator, because there is no way to restore the "damage" that has been done to the classical way of presenting a story.