Details
- article: Hitchcock's Modernism
- journal: Critical Quarterly (01/May/2010)
- issue: volume 52, pages 123-139
- DOI: 10.1111/j.1467-8705.2010.9996_9.x
- journal ISSN: 0011-1562
- publisher: Blackwell Publishers Ltd
- keywords: "Alfred Hitchcock and the British Cinema" - by Tom Ryall, "Alfred Hitchcock: Centenary Essays" - edited by Richard Allen and S Ishii Gonzales, "English Hitchcock" - by Charles Barr, "Hitchcock on Hitchcock" - edited by Sidney Gottlieb, "Hitchcock: Past and Future" - edited by Richard Allen and Sam Ishii-Gonzales, "Hitchcock: The Murderous Gaze" - by William Rothman, "The Dark Side of Genius: The Life of Alfred Hitchcock" - by Donald Spoto, "The Hitchcock Murders" - by Peter Conrad, Alfred Hitchcock, Arthur Chesney, Bel Air, Los Angeles, California, Charles Barr, Chicago, Illinois, Christopher Brookhouse, David Bordwell, David O. Selznick, Desmond Tester, Donald Spoto, Fredric Jameson, Gainsborough Pictures, Graham Cutts, Hitchcock Annual (2005) - A Columbus of the Screen, Hitchcock Annual, Ivor Montagu, Ivor Novello, J.B. Priestley, James Naremore, Joe McElhaney, John Belton, John Buchan, John Galsworthy, John Orr, Joseph Conrad, Joseph Garncarz, London Film Society, Malcolm Keen, Marie Ault, Marie Belloc Lowndes, Marnie (1964), New York City, New York, North by Northwest (1959), Oskar Homolka, Patricia Hitchcock, Peter Conrad, Peter Wollen, Psycho (1960), Rebecca (1940), Richard Allen, Rope (1948), Sabotage (1936), Secret Agent (1936), Sidney Gottlieb, Sylvia Sidney, The 39 Steps (1935), The Birds (1963), The Farmer's Wife (1928), The Lodger: A Story of the London Fog (1927), The Pleasure Garden (1925), The Prude's Fall (1924), Tom Cohen, Tom Ryall, Under Capricorn (1949), William Rothman
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